I made it, after many years of longing and it was worth it, despite disparate curating and lots of archive stuff and then collectives... but I got hooked in with semiotext(e)'s small tomes, saw Lisa Ann Auerbach's familiar knit-gear and her Megazine #2 on home concrete and a bit of random embroidery that looked like our napkins, after some recent M additions.
Saturday, March 22, 2014
Whitney Biennial, New York
I made it, after many years of longing and it was worth it, despite disparate curating and lots of archive stuff and then collectives... but I got hooked in with semiotext(e)'s small tomes, saw Lisa Ann Auerbach's familiar knit-gear and her Megazine #2 on home concrete and a bit of random embroidery that looked like our napkins, after some recent M additions.