Behind the most unfriendly 1980s red brick facade lies a sculpture courtyard with a super, selective combination of great things, including this reflective Dan Graham cube and indoors the Weatherspoon has carefully curated spaces and delightful staff.
Today we caught Nina Pereg's 'Abraham Abraham/Sarah Sarah' film installation, recording the change of hands of a sacred burial site on the West Bank, used for both Jewish and Muslim services, all overseen by Isreali Security Services.Next door a show that's been to Richmond's Anderson Gallery too and is Arlene Shechet's ceramic forms melded in rich colours, including a pouring of gold. Back in the high-ceiling entry hall is a contemporary frieze of naughtiness and war by Tom Otterness.
